Projects and Texts in Exhibition Catalogues

Hribernik, Andreja, Katrin Bucher Trantow, and Alexandra Trost, eds. Azra Akšamija. Sanctuary (catalog for the exhibition with the same title at the Kunsthaus Graz 2024). Vienna: VfmK Verlag für moderne Kunst, 2024.

Stocker, Gerfried and Markus Jandl, eds. Hope. Who Will Turn the Tide. Exhibition catalogue published on the occasion of the Ars Electronica 2024. Festival for Art, Technology & Society in Linz, AT. Berlin: Hatje Cantz, 2024.

Sarkis, Hashim, ed. Biennale Architettura 2021: How Will We Live Together?. Venice: La Biennale di Venezia/Silvana Editoriale, 2021.

Milevska, Suzana, ed. “Memory Matrix.” In Contentious Objects/Ashamed Subjects. Exhibition Catalogue, Galleria del Progetto, Politecnico di Milano, Milan, 18 January – 6 February 2019. Milan: Politecnico di Milano, 2019.

Steiner, Barbara, ed. “Azra Akšamija.” In Kunst Handwerk – Art Craft. Between Tradition, Discourse and Technologies, 10–19. Exhibition catalogue published on the occasion of the exhibition “Kunst Handwerk” at the Kunsthaus Graz. Vienna: VfmK Verlag für moderne Kunst, 2019.

“T-Serai. Exhibition Catalogue.” Sharjah Museum of Islamic Civilization, October 2019.

Bucher Trantow, Katrin, Johannes Rauchenberger, and Barbara Steiner, eds. Glaube Liebe Hoffnung. Exhibition catalogue published on the occasion of the Kunsthaus Graz exhibition with the same title. Auflage 2000. Graz: Universalmuseum Joanneum GmbH, 2018.

“CULTURUNNERS.” The Armory Show March 5-8, 2015, Piers 92 & 94 New York City, edited by Noah Horowiz. New York: The Armory Show, 2015.

Akšamija, Azra. “Museum Solidarity Lobby (MSL).” In MAP 2013. The Workbook, Exhibition catalog published in conjunction with the festival and exhibition MAP 2013: Projects that Restore and Preserve the Environment, Promote Social Justice and Advance Human Knowledge and Well-Being, edited by Janeil Engelstad, produced by MAP, 36-37. MAP – Make Art with Purpose, Dallas, TX, 2013.

Freek Lomme, ed., “Azra Aksamija,” in WHO TOLD YOU SO?! The Collective Story vs. the Individual Narrative (Santa Monica, CA: RAM Publications, 2013), 96–101.

Laudage-Kleeberg, Regina, and Hannes Sulzenbacher, eds. “Dirndlmoschee.” In Treten Sie ein! Treten Sie Aus!: Warum Menschen Ihre Religion wechseln, 332–333. Berlin: Parthas Verlag, 2012.

Hunter-Larsen, Jessica. “Azra Akšamija.” In Cross-Currents. Tradition and Innovation in Contemporary Art of the Islamic World, Exhibition catalog published on the occasion of the exhibition with the same title, edited by Jessica Hunter-Larsen, produced by the I.D.E.A. Colorado College InterDisciplinary Experimental Arts, 10-11. I.D.E.A. Colorado College, 2012.

Akšamija, Azra. “Nomadic Mosque, Dirndlmoschee, Frontier Vest.” In Kubus oder Kuppel. Moscheen: Perspektiven einer Bauaufgabe, Exhibition catalog published on the occasion of the exhibition with the same title, edited by Christian Welzbacher, produced by ifa-Galerie Stuttgart, 16-17.Ernst Wasmuth Verlag, Tübingen, München, 2012.

Akšamija, Azra. “Monument in Waiting.” In Penelope’s Labour – Weaving Words and Images, Exhibition catalog published on the occasion of the exhibition with the same title taking place in the Fondazione Giorgio Cini Venice within the 54th Venice Biennale, edited by Adam Lowe and Jerry Brotton, published by Factum Arte, 2011.

Akšamija, Azra. “Flocking Mosque.” In Miniartextil: Energheia, XXI  Mostra internazionale d’arte contemporanea, Exhibition catalog published on the occasion of the exhibition with the same title taking place in the Fondazione Giorgio Cini Venice within the 54th Venice Biennale, edited by Arte&Arte, 70. Vanillaedizioni, Albissola Marina (SV), 2011.

Akšamija, Azra, and Dietmar Offenhuber. “Tempelmarke.” In Die Türken in Wien. Die Geschichte einer Jüdischen Gemeinde, edited by Felicitas Heinman-Jelinek, Gabriele Kohlbauer-Fritz and Gerhard Milchram, 194-195. Vienna: The Jewish Museum, 2010. Published in conjunction with the exhibition of the same name, shown at the Jewish Museum Vienna.

Akšamija, Azra. “Dirndlmoschee.” In Heimatkunde. 30 Künstler blicken auf Deutschland, Exhibition catalog published on the occasion of the exhibition with the same title, edited and published by the Jewish Museum Berlin, 14-18. Hirmer Verlag, München, 2011.

Coppard, Abbie.“Azra Akšamija.” In GSK Contemporary – Aware: Art Fashion Identity (exhibition catalog), edited by Abbie Coppard, Gabi Scardi, and Lucy Orta. Published in conjunction with the exhibition with the same name, shown at the Royal Academy of Arts, London. Bologna: Damiani editore, 2010.

Akšamija, Azra, and Khadija Z. Carroll. “Living Monument.” In Memoshpere. Rethinking Monuments (exhibition catalog), edited by Mihnea Mircan and Meta Haven. Frankfurt: Revolver, 2007. Published in conjunction with the exhibition of the Romanian Pavilion at the 52nd Venice Biennial.

Akšamija, Azra.“Die Welt als Moschee.” In Kunstmoschee (exhibition catalog). 6 – 29. Vienna: Secession Vienna, 2007. Published in conjunction with the exhibition of the same name, shown at the Secession Vienna.

Koralova, Ilina. “Introducing Sites 1.“ In Kulturelle Territorien. Cultural Territories (exhibition catalog), edited by Barbara Steiner, Ilina Koralova and Julia Schäfer, Galerie für Zeitgenössische Kunst Leipzig in cooperation with Kulturstiftung des Bundes, 137-140. Cologne: Walther König, 2005.

Akšamija, Azra.“The Bosnian Chronicle.“ In Kulturelle Territorien. Cultural Territories, edited by Barbara Steiner, Ilina Koralova and Julia Schäfer, Galerie für Zeitgenössische Kunst Leipzig in cooperation with Kulturstiftung des Bundes, 364 – 391. Cologne: Walther König, 2005.

Akšamija, Azra. “Arizona Road.” In Designs für die wirkliche Welt. Designs for the Real World, edited by Sabine Breitwieser. Published in conjunction with the exhibition “Designs für die wirkliche Welt. Designs for the Real World” at the Generali Foundation Vienna, 36-79. Cologne: Walther König, 2002.